Abstract:
The article studies the peculiarities of the chronotope as one of distinctive features of dystopia in the story “The Machine Stops” by E.M. Forster. The study consists of two stages. Firstly, there is a brief review of key viewpoints on the issue of interrelation of dystopian genre and science fiction. Second stage is the analysis of time-spatial organization in the story, partly through its comparison with the novel by H. Wells “The Time Machine”. As in Wells’, two worlds in Forster’s story are directly opposed. Symbolically the hero’s path is associated with the birth of a new man. At the end of the story the shift occurs that restores familiar world order and helps heroes discover the truth. The plot structure hints at civilization development from the Middle Ages, also called the Dark Ages, to the Renaissance. The article reveals that the world of future in dystopian story “The Machine Stops” includes two topoi that are contraposed: the underground — the city of the Machine, and the above-ground — the world of wild life. The interaction of the hero and space clears up Forster’s idea about the decline of machines’ epoch, regain by a man his own self and revival the value of human communication.
REFERENCES
- Dydrov, A.A. Chelovek budushchego v utopiiakh i distopiiakh: filosofsko-antropologicheskaia interpretatsiia [The Man of the Future in Utopias and Dystopias: Philosophical-Anthropological Interpretation: PhD Dissertation]. Chelyabinsk, 2011. 192 p. (In Russ.)
- Egorova, A. “Glubzhe i shire: podzemnye goroda sovremennosti” [“Deeper and Wider: Modern Underground Cities”]. Vokrug sveta. Available at: https://www.vokrugsveta.ru/articles/glubzhe-i-shire-podzemnye-goroda-sovremennosti-id680153/ (Accessed 25 September 2023). (In Russ.)
- Kovtun, E.N. Poetika neobychainogo: Khudozhestvennye miry fantastiki, volshebnoi skazki, utopii, pritchi i mifa (Na materiale evropeiskoi literatury pervoi poloviny XX veka) [The Poetics of the Extraordinary: Artistic Worlds of Fantasy, Fairy Tale, Utopia, Parables and Myth (Based on the Material of European Literature of the First Half of the 20th Century)]. Moscow, Moscow State University Publ., 1999. 308 p. (In Russ.)
- Shishkina, S.G. Istoki i transformatsii zhanra literaturnoi antiutopii v XX veke [The Origins and Transformation of the Genre of Literary Dystopia in 20th Century]. Ivanovo, Ivanovo State University of Chemistry and Technology Publ., 2009. 229 p. (In Russ.)
- Shishkina, S.G. “Literaturnaia antiutopiia: k voprosu o granitsakh zhanra” [“Literary Dystopia: on the Issue of Genre Borders”]. Vestnik gumanitarnogo universiteta IGKhTU, issue 2, 2007, pp. 199–208. (In Russ.)
- Baldick, Chris. The Concise Oxford Dictionary of Literary Terms. New York, Oxford University Press, 2001. 280 p. (In English)
- Claeys, Gregory. Dystopia: A Natural History. A Study of Modern Despotism, Its Antecedents, and Its Literary Diffractions. New York, Oxford University Press, 2017. 556 p. (In English)
- Claeys, Gregory. “The Origins of Dystopia: Wells, Huxley and Orwell.” Claeys, Gregory, editor. The Cambridge Companion to Utopian Literature. Cambridge, Cambridge University Press, 2010, pp. 107–132. (In English)
- Suvin, Darko. Positions and Presuppositions in Science Fiction. Ohio, Kent State University Press, 1988. 227 p. (In English)
- Bould, Mark, and Andrew M. Butler, and Adam Roberts, and Sherryl Vint. The Routledge Companion to Science Fiction. London, New York, Routledge, Taylor & Francis e-Library, 2009. 554 p. (In English)


